Posts Tagged ‘Mole-Richardson’


Choosing Lights: Tungsten vs. Fluorescent vs. LED (Post #1 of 4)

Tuesday, February 26th, 2013

(Note: I originally started writing this as a single post, but it turns out there is so much to say on the topic that I’m going to break it into several posts. Links to the others will be at the bottom.)

I recently found myself in the same situation that every photographer and videographer occasionally faces. I’m currently expanding my arsenal of photo and video lights, so I’ve had to tackle the question of which type of lights to buy. Since my work includes both still and video (and since I already have a selection of strobe lights that I’m happy with), I’m focusing now on continuous lights that can be used for either still or motion work.

First, some background. As photographers and videographers know, the most commonly used lights have traditionally been xenon gas flash tubes for still photography and tungsten incandescent bulbs for video and film (HMIs are also somewhat common for motion as well, but less so than tungsten). These traditional kinds of lights work very well and they definitely still have value in the right application (in fact, in certain types of applications they’re still the best type of light there is), but they do have significant weaknesses and disadvantages, and recent technological advances have improved other light sources such as LEDs and compact fluorescent bulbs to the point where they too are now practical for photo and video use.

Choices choices choices!!!

Choices choices choices!!!

So we now have this whole range of light sources available to us that includes the traditional tungsten and HMI (such as those made by Arri, Mole-Richardson and many others), fluorescent (in both tube format like Kino-Flos and CFL format like Westcott Spiderlites) and LED (like Litepanels) as well as some even newer and more exotic technologies that are still coming to market like organic and plasma panels (the Zacuto “PlaZma light” will be very interesting to keep an eye on once it is introduced, hopefully later this year).

Among all of these options, how do we choose the right light? Every type has advantages and disadvantages, and as with most things, which is best comes down to your individual needs and what type of work you do. Personally, the vast majority of my work is done on location instead of in a studio, so the factors that are important to me are 1) efficiency (i.e., power use), 2) heat generation, 3) portability, 4) speed of setup and ease of use, and most importantly, 5) light quality (CRI). (Cost is of course also a factor, but with each type light there are expensive options and cheaper options, so that’s less relevant). So for my current round of equipment purchases, I evaluated each of the light types on each of the criteria above. In the next couple of posts I’ll talk about how the various types of lights compare when it comes to efficiency, heat generation, portability, speed of setup and ease of use, and light quality, finally ending with my conclusions and my purchases.

Tomorrow I’ll talk about the efficiency and heat generation of each types of light heads.

(Update: Links to the subsequent posts in this series are here:
Post #2: Efficiency (i.e., power usage) and Heat Generation
Post #3: Portability and Speed of Setup & Ease of Use

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