Posts Tagged ‘opacity’|
Thursday, March 25th, 2010
Take a look at this photo – does anything seem wrong here?
After shooting a portrait for a client the other day, the subject emailed me with an unusual request. Now, in editing portraits in Photoshop, I often trim a few inches off the waists of subjects, remove skin blemishes, etc. This client’s request though, was a new one for me: he wanted me to give him a thicker beard.
Apparently, he had given up shaving a week or so before the portrait was shot, and therefore had several days’ growth of stubble, but wanted a fuller beard for his portrait. In fact, the subject’s beard was pretty stubbly. Here is the original image:
I emailed the subject back that this kind of digital Rogaine would be tricky to do without it looking fake, but nonetheless he asked me to do what I could. I generally don’t like manipulating photographs to such a degree that it crosses the line in my mind from simple retouching (correcting skin blemishes, for example) into outright fakery (which this clearly did), but at the end of the day, my job is to make the client happy. So I proceeded. After my standard, basic Photoshop tweaks (slight Curves, Hue & Saturation and Color Balance adjustments in the form of Adjustment Layers), the image looked like this:
To give the impression of a fuller, heavier beard though, I was going to have to get creative… I decided that in order to achieve a realistic look I would need the texture of actual fibers and strands of hair. So, I identified the thickest part of the subject’s facial hair (which looked to be an area under his nose, highlighted in yellow below), selected it and Identified it as a pattern for the Pattern Stamp tool. Essentially, I was going to use the subject’s own hair to clone in additional hair.
I then used the Pattern Stamp tool to “paint on” the additional hair into a separate layer, varying the opacity from 90% where the appearance would be heaviest around the subject’s mouth, to 10% (in 10% increments) where it would be the lightest, on the sides of his face. The “mask” created by this process is represented below as a Quick Mask, showing the varying degrees of opacity. This process got me close, but didn’t give me quite the look I wanted, so I repeated the procedure using another pattern, this time taken from the subject’s head (highlighted above in green), rotating the selection such that the strands of hair flowed the correct directions. Again, I used the graduated-opacity mask shown below.
The end result came out pretty well – I was able to significantly thicken the subject’s beard, but don’t think a typical viewer would look at the photo and think anything had been altered. Placed side by side with the original, however, the difference is substantial:
As I said above, I don’t like altering photographs to an extent that constitutes fakery (the distinction of which of course is a completely subjective judgement, but which in my mind means going beyond simply erasing an unattractive pimple here and there)… I find it distasteful. But as a corporate headshot, the purpose of this photo is to make the subject look good (this isn’t a documentary or photojournalistic shot), and the job of the photographer is always to make the client happy. With this little bit of Photoshop creativity, I think I succeeded.
(By the way, this portrait was shot on my new Canon 100mm f/2.8L Macro prime lens using my Canon 5D Mark II body. This was the first time I used the lens for client work, and it is fantastic! The lens is so good I think I’m going to have to write another blog post about it when I get the time! For now though, great lens, highly recommended!)
Tags: Adjustment Layers, Canon 100mm f/2.8L Macro prime lens, Canon 5D Mark II, clone, Color Balance, corporate headshot, Curves, fakery, Hue & Saturation, mask, opacity, Pattern Stamp, Photoshop, Portrait, Quick Mask
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