Posts Tagged ‘Portland’

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Two New Portfolio Additions

Friday, December 21st, 2012

On this last rainy weekday before everyone takes off for the holidays, I had a few free minutes and decided to add a couple of images to the website that I really like, but until now very few people had seen. The first image, “Dave,” was shot several months ago during the summer, and the second image , “Kaylee 2″ was shot just last week. Here they are.

"Dave": Canon 7D, Canon EF 24-70mm f/2.8L USM @ 70mm, ISO 100, f/2.8, 1/1000 sec. ©Chris Conti Photography All Rights Reserved.

Dave is a master craftsman who works for a large marine services company in Portland, Maine called Portland Yacht Services. This summer I was in Portland on a commercial shoot for PYS on a dry dock in Portland harbor producing a timelapse video of PYS’s employees using the drydock to service a large yacht that had been damaged. The drydocking process is fascinating (the entire structure lowers itself under water, the vessel to be serviced maneuvers inside, and the structure rises back up, lifting the entire vessel out of the water). It was a great shoot in a totally unique setting, and I also just happened to catch this candid shot of Dave on the dock. To me, guys like Dave epitomize the Maine maritime economy and culture.

"Kaylee 2": Canon 5D Mark II, Canon EF 70-200mm f/2.8L IS II @ 200mm, ISO 800, f/2.8, 1/250 sec. ©Chris Conti Photography All Rights Reserved.

Kaylee is a musician and music therapist from Seattle in the final stage of her training. Last week I was shooting a music therapy session at a senior housing community called Jewish Community Housing for the Elderly in Framingham, Massachusetts shooting marketing photos. I was severely limited in the amount of equipment I was allowed to bring into the facility and was limited to a single strobe and reflector, so I had to get a bit creative with my lighting. In order to create the image above I decided to take advantage of large windows that were in the room, and use the natural light as my key light and instead use the strobe only for fill. Given the limitations I really like how the image turned out.

That’s it for me, now it’s time to pack up and get on the road to my parents’ house for the holiday.

Happy holidays!

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Posted in Equipment, Field Notes, Gear, Projects, Techniques | No Comments »

A Very Special Client

Monday, September 10th, 2012

Back in 2010 I was hired to shoot an executive portrait. It was a very standard assignment, but it was for a very special client: my dad.

Well, actually, my dad was the subject, but he wasn’t the client. My dad had recently retired from his position as president of Maine Medical Center, a large hospital in Portland, Maine, and the hospital was commissioning a portrait of him to hang in its Board room, along with those of all of the other past presidents. We had quite a bit of flexibility in terms of the setup of the shot; the only real requirements were that the final portrait be black and white and three-quarter length (to conform to the convention that had been in place for over a hundred years!). We talked about things that I talk about when I’m shooting any portrait (what ideas we wanted the image to convey, how to achieve them with wardrobe, location, framing, lighting, etc., shooting in a location where the subject is comfortable and relaxed, etc.). Ultimately we ended up settling on my parents’ home just outside of Portland as our location, and on the day of I drove up from Boston and did the shoot. Obviously it was a ton of fun shooting with my dad as my subject, and I was pretty happy with the final image.

Fast forward two years, and a couple of weeks ago I got a phone call from a designer saying that Maine Medical Center was putting together a tabletop history of the hospital, and wanted to use the image I shot of my dad in the book. Interestingly, the designer said that she wanted to use a color version of the (as-delivered black and white!) image (what they would have done if I had shot the image on black and white film I’m not sure). Thankfully, I had shot the image digitally and converted it to black and white after the fact, and had kept not only the final file but also the original, color RAW file (let this be a lesson kiddos, ALWAYS KEEP YOUR ORIGINALS!!!).

I did some editing to get the color version prepared for printing and sent it off to the client, and now I’m looking forward to seeing my dad in a book in a picture that I made.

Dad. ©2010 Chris Conti Photography

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Sometimes Setting Up GoPro Timelapses Yields Funny Images

Tuesday, July 31st, 2012

I was shooting a timelapse in for a client in Portland, Maine last week, and for one of the camera angles I attached a GoPro Hero2 to the side of a sinkable dry dock (check back in for the resulting underwater timelapse!). If you’re not familiar with the GoPro cameras, their settings screens are on the front of the camera, such that when you’re configuring the settings, you just might catch a couple of images of yourself. This was one such image.

©2012 - Chris Conti Photography

(this is why photographers stay BEHIND the camera!)

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The Photograph That Almost Got Me Arrested

Friday, January 8th, 2010

I think I’m a pretty normal person. A law-abiding citizen. Aside from the occasional speeding ticket here and there, I’ve never had any serious brushes with the law. But a couple of days ago, I almost got arrested. Why? For trying to take a picture.

You see, my father has worked in health care for his entire career. For the last fifteen years or so before he retired last summer, he served as the president of a hospital in Portland, Maine called Maine Medical Center, and for those fifteen or so years, he poured his heart and soul into that hospital. So as a sort of retirement present, I’ve wanted for a while to shoot a landscape shot of the hospital (it is a sprawling complex with many buildings, and sits very dramatically on top of the highest hill in Portland) for him to remember the place that was such a big part of his life.

For a few months I’ve been casually scouting out the area, trying to find the best angle from which to shoot the photo. I think I’ve found the best spot, a highway bridge that crosses part of Portland harbor offering an unobstructed view of the hospital buildings on the hilltop. This angle faces east, shooting from the west, meaning that at sunset, the buildings are lit up by a wonderful warm glow. So, a few days ago I set out with some gear a little while before sunset to take the shot.

I pulled over to the side of the highway on the bridge and began to set up. I pulled out my tripod, Nikon body and 70-200mm f/2.8 telephoto lens. At the distance I was shooting from, I could fill the frame at 200mm, flattening the image and giving it sharp depth of field throughout the image. The sun was getting low and the light was wonderful. Everything was great.

Unfortunately what I had failed to consider is that the location from which I was shooting also happened to be nearly precisely in line with the runway of the nearby Portland Jetport, and was directly beneath the landing path of approaching airplanes. And in our post-9/11 world, somebody with a tripod and a big long black thing mounted on it right next to an airport runway can be cause for concern. So just as I was finishing setting up, reading the light for my exposure, I hear a voice behind me say, “What are you doing?” I turned around to see a Maine State Police trooper staring at me with his hand on his sidearm.

After I explained that I was a photographer and was merely trying to photograph the hospital, the officer very politely but sternly explained that because I was under the flight path of the airplanes, my presence had alerted the security people at the airport, and that since as a result of the proximity to the airport this particular section of road was designated “emergency stopping only,” I would have to leave or I could be arrested.

So I packed up my equipment, apologized to the officer and left, without having shot a single exposure. I searched for another appropriate place from which to shoot the image, but the best I could find was another point much closer to the hospital from which I shot the image below.

As you can see, the light is unattractive, the angle is bad (shooting up from below) and there are obstructions, including light poles, trees, chimneys and ugly distractions in the foreground. The image is worthless.

mmc bad

So I’ll have to keep looking for a way to get this shot. Moral of the story? In the post-9/11 world, photographers need to stay away from airports.

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